Showing posts with label The Lion's Daughter. Show all posts
Showing posts with label The Lion's Daughter. Show all posts

Monday, December 02, 2013

Tossed Into The Deep End...

The Lion's Daughter & Indian Blanket - A Black Sea (2013)


When it comes to splits, originality has pretty much been abandoned. You either have the two groups offering up not-so-rare b-sides or each group covering a song written by the other. In the end, there isn't anything too special about the split except for the fact that it (hopefully) comes on some nice splattered vinyl.
Enter "A Black Sea," not so much a split as it is a collaboration between two of St. Louis, Missouri's premier bands, thrash metal crushers The Lion's Daughter and folk rockers Indian Blanket. Although an odd-sounding idea on paper, "A Black Sea" is a beautiful and crushing album all in the same instance, bringing together two completely opposite ends of the musical spectrum and forming a juggernaut of talent.
Early on, tracks such as "Wolves" and "God's Much More Terrible" reflect the collaborative aspect more literally, incorporating softly strummed acoustic chords and smooth vocals that soon give way to booming guitars, bass and raspy screams. While the harmony changes are quite obvious in the tracks, the overall effect leaves a lasting impression. The initial back-and-forth of the musical styles is not a push and shove for dominance auditorily, but a sort of flowing presence that sounds so effortless it's haunting.
Later songs "Song For The Devil" and "Sea Of Trees" hold a bit more consistency in their sounds, but still possess a feeling of mixed genres. With heavier elements of acoustic bass incorporated into the folkier territory and woodwind instruments popping up throughout, the album continues to develop and morph, never settling on one area too long. Even when winding down on a softer note, "A Black Sea"maintains a sense of darkness and sorrow, the guitars turning bluesy and the lyricism remaining serious and somewhat dejected.
Perhaps the most notable aspect of the record is that it is currently incomparable in its existence. It could be argued that influences may have motivated certain parts of the effort, but the final result sods unlike anything else I have heard in several years. A truly remarkable piece of work, both bands should be proud of what has made its way to the masses and will surely be enjoyed by many for years to come. Creativity is lacking in almost every facet of society these days, so to the parties involved n the creation of "A Black Sea," I say thank you.
With only 250 versions of the album pressed (50 of which were on limited white vinyl that are LONG gone), remaining copies are limited. Those interested in snagging one of the last few copies may be in luck if they check out Good Die Young Music. Those heathens who prefer digital only may also find the album on iTunes.
~Joe

For Fans Of; Darkest Hour, Bowerbirds, Woodpigeon, Tombs





Friday, August 30, 2013

Nothing To Be Ashamed Of...

The Lion's Daughter - Shame On Us All (2012)


The Midwest takes a bad wrap for pretty much everything under the Sun. I contest that when it comes to metal, however, St. Louis' scene is still strong and full of more rage than any posh "thrashers" from the coasts. There is plenty to be pissed about right here in America's Heartland, and Good Die Young Music's The Lion's Daughter is that aggression incarnate. Currently working on a new split with St. Louis folk outfit Indian Blanket, The Lion's Daughter continues to destroy on a fairly regular basis, mastering their unholy, unforgiving brand of sludge metal.
On Shame On Us All, the band rips through a solid offering of blistering drums, ripping guitars and devastating vocals that continuously crushes and nearly induces physical pain from sheer brutality. There is no slowing down with The Lion's Daughter, as each track gets louder and faster than the last, the band creates an impressive effort that could stand against any big name in the genre today. Given the talent and raw nature of the group, the music never truly shows any weak spots, simply working on a number of levels that adds a dark, 'we-don't-give-a-fuck' ethos.
Pain, suffering and human ignorance serves as a strong creative element for the group, fitting in line with the music that is nearly as grim. Despite the black cloud aesthetic, The Lion's Daughter is still a band that is fun in the metal sense. Offering up a cover of Nine Inch Nails' "Mr. Self Destruct" from the band's 1994 release The Downward Spiral, The Lion's Daughter places an interesting twist on an industrial classic that still speaks to millions of music fans across the world. 
Energetic and looming, live performances are nothing short of an auditory riot. As the band continues to create and firm up their skills, they are looking toward a path that is sure to gain recognition amongst many outside of the St. Louis area. Given their next release is a split with a genre totally on the other end of the spectrum, The Lion's Daughter is clearly looking to combine their efforts with others they respect, despite a drastic difference in sound. It's this mindset that could just make the band more unique than even I suspect.
It should also be noted that the cover art for Shame On Us All is an original piece of work from St. Louis artist Coby Ellison, an extremely talented dude that will hopefully find himself featured on our new artists page in the near future.
~Joe

For Fans Of; The Arusha Accord, Liferuiner, Heights, Nails