Showing posts with label Zeppheroin. Show all posts
Showing posts with label Zeppheroin. Show all posts

Saturday, June 28, 2014

Three-Day Bender...

Zeppheroin - Methadone Jesus (2014)


From the first distorted notes, Zeppheroin's latest album drips grimy doom, like something you might find oozing from the walls of an asylum's basement. From the sound of things, that might be where they recorded the album, as there's a distinct rough edge to the production work, though it by no means blunts the band's efforts; on the contrary, it tends to add a claustrophobic feel to the echoing reverb and massive growls from the bass, while the percussion slides in on an almost subliminal level. I say band, but it should be noted that everything you'll hear on this album was the work of one man, Tony Maim, who gelled it all together with a sticky tar coating that works so well you'll want to scrub your ears clean after listening.
For all the 'tie it to a brick and toss it in the river' heaviness throughout the proceedings, Zeppheroin's more than capable of pulling out a ripping guitar passage when wanted, serving as a sort of analogue to psychotic breaks or something along those lines. Whatever it is, it's downright filthy, sludgy stuff with a low-nonsense approach to accepting doom in your life; as he notes in the notes, “no mention of the occult or burning witches – is it still Doom?” The answer is an definite yes, with hope audibly absent from the experience. Throw yourself down a flight of stairs, get a painkiller prescription, and then blare this as loud as your senses can stand; your neighbors might not appreciate it, but your ears should.
~ Gabriel

For Fans Of; EyeHateGod, Ramesses, Dopelord, Windhand, Uncle Acid




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Friday, May 24, 2013

One-Man Wolfpack...


Zeppheroin - Howl (2013)



There's something to be said about self-produced music...I don't know what that saying is, but let's just chalk it up to: "It's pretty damn impressive." Tony Maim, aka Zeppheroin, seems to have mastered his vision of do-it-yourself doom, and, on his latest EP, has taken the genre to a deep, dark place that truly displays the talents of the one-man band. Keeping it slow and riddled with riffs, Maim's project never veers off course and focuses in on near drone territory. Maim's gravelly vocals never try and overshadow the well-placed instrumentation or impressive shredding, and with each track clocking in around the 6- to 7-minute mark, Maim makes it abundantly clear that the music is what drives his passion for metal.
Ratcheting down the tempo from his past releases, Maim reveals the versatility of his song-writing and shows that nothing hits home quite like a crushing sound at a sluggish pace. Don't let the tech metal kids and breakdown-saturated, new school shit fool you, Maim is hear to tell you that if it is too slow, then you're too young.
~Joe

For Fans Of; Acid King, Mclusky, Sleep, Dead Meadow, Judd Madden




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