Showing posts with label Electricjezus. Show all posts
Showing posts with label Electricjezus. Show all posts

Saturday, April 06, 2019

Laughter In The Dark...

Electricjezus - Смех (2019)


It's been four years since the last solo album from the Russian duo of Electricjezus, but the enjoyable power shown in that last release (Котлован) has, by all signs, continued to strengthen in the intervening years. Opening with a slow riff study in “Соки земли” (or “Growth of the Soil”; Electricjezus continues to kindly provide translations of their titles), the band (re-)establishes their guitar and drums M.O. with panache, picking up energy and speed as they move into the subsequent tracks.
It's in those follow-ups, like “Приговор” (“Sentence”), where the sludgy potency of the band is made explicit, with their handling of momentum steering the swampy chords and weighty beats into feeling impressively sizable for a two-man operation. The absence of a bass (guitarist Ruslan employs a bass pick-up, instead) in no way keeps them from bringing suitably dark and heavy tones to the agonized audio experience. Special kudos to Ruslan's vocals, which are used infrequently, but consistently sound as though they're being sourced from someone in the middle of being crushed by a boulder. In a good way, of course.
And for a couple of the tracks breaking the ten-minute mark, the music maintains a good pacing, moving along without seeming too sluggish, in spite of the low-end, low-tempo, low-life vibes they keep in play. And despite the sparse instrumentation, the songs do a great job of catching you up in the grooves, getting swept along without any doubt of a satisfying experience. They've found what works, and trimmed off all the fat, leaving an excellently crafted batch of weighty tunes to do their job, and do it damn well. This is one of those to take in the first time, let it sit and digest for a while, then dig right back into it to figure out what you missed because you were too caught up in the groove to savor all the details. Hats off to Electricjezus, once again.
~ Gabriel

For Fans Of; Body Void, Dead Existence, Hypnochron, O.D.R.A., Sleep

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Thursday, July 02, 2015

Unhallowed Planet...

Electricjezus - Котлован (2015)


With a gap of about two years since their last release, the return of Russian duo Electricjezus arrives with plenty of thunderous power to make up for their hiatus, packing 42 minutes of heavy stonage into the space of five songs.  Though most are titled in the band's native tongue, Electricjezus are kind enough to provide translations for the names on their BandCamp page, just in case you feel the need to know (on that note, the LP's title translates as 'The Foundation Pit').
Though they open with a fairly warm tone to the fuzz and beat, a more doom-oriented focus eventually seeps into the riffs, bringing the music lower and darker as the songs proceed.  The starkness of the song-writing grows more pronounced with each new piece, past sludge into something so menacing in its tone as to bypass classification.  You can pick out bits of sludge, death, and black metal floating around, but all in subjugation to the doom , though the stormy musical ritualism and a new beast risen to serve the band.
The last of the tracks is "Take My Breath Away", and if your first thoughts are of that '80s pop song by Berlin, Electricjezus are happy to eradicate those memories with their filthy ~7-minute-long interpretation, putting the title to its full grim potential and running the melody through an violent wringer.  While the cover does sort of stand on its own, the flow through the songs is very solid, with a natural-feeling extension running through the sequence as the intensity builds.  Excellent stuff, extremely worth checking out for any fans of free-roaming doom, sludge, and other heavy metals.
~ Gabriel

For Fans Of;    HATE&MERDA, Heavydeath, Windhand, Nelly Olsen, Meth Drinker

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Friday, May 31, 2013

Meanwhile In Russia...


Electricjezus - Грязь поколений (Mud Of Generations) (2013)


This one almost slipped through the cracks. Luckily, my mild OCD tendencies kicked in and decided to give our spam folder a bit of a clean out. Then I noticed, buried down there between the emails from sluts apparently trying to contact me and the Nigerian royalty requesting me to help them out financially a little email from Russia...
Here's the deal... Electricjezus is a two man project hailing from Dmitrov (just north of Moscow) Russia. Made up of Ruslan (guitars, bass and vocals) and Oleg (drums), the guys have chosen to go pure unadulterated doom when it comes to their set up. Whacking a bass pick up in the neck of Ruslans guitar, then using the thickest strings know to the musical world for an incredibly dirty and fuzz string section. Not to be out done, Oleg often uses a piece of metal for a hi hat. So yeah, if you thought your band were "proper metal", then think again because Agoraphobic Nosebleed haven't even got much on these chaps. I mean, they sing in Russian for Christ sake! Just top that!
Being a dirty and fuzzy mash of post metal, sludge, stoner doom and grindcore this album can't fail but tear at the very fabric of your mind. Recorded entirely using analogue equipment, the guys didn't piss around with anything fancy when they hit the studio. Utilising an old piano, some busted up mics, broken cymbals and even an old Soviet synthesiser! C'mon, tell me your band has used and old, cold war era Soviet synthesiser!? But impressive as that list is, it does kinda leave some pause for thought. A thought that all but draws to the conclusion 'Awww, this is gonna sound like utter crap'. Sure, you'd be excused for that jumping to that conclusion, but trust me, it's far from the reality. For just two guys using some old beaten up equipment, presumably in sub-freezing temperatures, this album is incredibly varied. It toys with some brilliantly disturbing samples to full effect, thats really the first thing you'll notice. The second thing is just how versatile it is. Yeah it's predominantly cut form the same sort of cloth as early Soilent Green and Extreme Noise Terror but it manages to fluctuate so effortlessly between that, dirty eerie doom (much like Eagle Twin or Wolves In The Throne Room) and full bore, post punk hardcore (akin to Unsane and Rorschach). It's chock full of groove and grit in equal measures and if you ask me, thats one hell of a feat. But I could jabber on all day about these guys, you really need to go and experience them. Besides we all know the Russians don't pull any punches when it comes to this shit, and this big fat fuzzy slab of post-sludge-grindcore is a another prime example. Go and get it.
If you've got the balls.
~ Jay

For Fans Of; The Day Is Today, Acid Bath, Kvelertak, Devil, Kamni





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