Wolf Blood - II (2019)
It was five years ago that Wolf Blood let loose their self-titled debut album, and with pressing after pressing selling their full runs (including the vinyl from Roadburn Fest-hosting Burning World Records), it seemed like the band's momentum was picking up just like one of their riff-digging tunes. As they focused on live shows and a variety of rare merch (count yourself damn lucky if you've got one of the lightning bolts and Petrian cross shirts in your collection), it was up to the six songs of the S/T to keep the torch burning for those outside of WB's tour radius. Thankfully, the wide range of flavors and styles packed into the album made that a working solution.
Now the four-piece is back, having replaced their bassist with one who also does guitar and vocals, and offering up another six tracks of heavy, grimy metal. Opening up the new album with “Lesion”, the band lays down an icebreaker of a hard beat before swinging in the vocals, riding back to the beat, and then drifting off into looser riff exploration. The composition quickly establishes that a lot of the musical character from the first album is still present in force, and that the new bassist slots right in to the action. “Slaughterhouse” continues the fun by further blurring out the style boundaries, bringing together stoner rock, hard metal, and a bit of psych, while letting the focus center on the energy and flow. With the last track of the A-side, “Kumate”, they roll up another twisting ride, with drummer Jakob getting some spotlighting as he trades bashing flourishes with the guitars' snarls. The largely instrumental nature of the song makes for a cool way of recentering listeners, while the deeper psych journey of the song's latter half does solid work in drawing them back into the bumping groove.
Side B's “Opium” picks right up from there with still another hooky spine of a riff, alternating between tranced-out intonations and threatening growls on the vocal side. Moving quick (at two minutes and change) and hitting hard, it soon gives way to the more meditative “Story of a Drowning Man”, which brings probably the slowest drawls from the bass and guitars to be found on the album, while Jakob matches it with measured pace. Here is also where some of the most exposed emotional power comes through, with considerably less bluster and fury obscuring the singing, which moves to a reflective quietness. Things build in intensity, as you might expect, and as the main riffs strengthen their chording and volume, it's only a matter of time before the anger resurfaces, which it does in high style.
“Tsunami”, which you might have heard on last year's single to build hype for WB's return (along with non-album track “Home”), closes out the album with a tour through the assorted elements and inclinations preceding. Big, compelling riffs, contrasted with high-focus brooding and vocal alternation, do the title justice with the surge and ebbs they bring, while the finish is downright devastating.
An album to soak up the nuances of over numerous listening sessions, II shows that there's still plenty of fire in Wolf Blood's veins, and complements the debut with a number of intriguing adjustments to the baseline sound. Though there's not really any immediate howl along choruses like “Dancing on your grave!”, the confidence and skill of the band comes through with no obscuring. Vinyl's limited to 250 copies, tapes to 100, so if you want a physical instance of the album, you'd better act fast. More tour dates are already lined up, so hit those if you can, and keep ready for more to come from this crew.
For Fans Of; Blood Farmers, Merlin, Mountain God, Shadowmaster, Stonerror
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