Showing posts with label Georgia. Show all posts
Showing posts with label Georgia. Show all posts

Friday, October 23, 2015

Loose Bills And Hurried Kills...

Cebo - Jerry EP (2015)


Built around "the life of hit songwriter/bank robber Jerry McGill (a.k.a. Curtis Buck)", this three-track debut EP from Cebo (or CEBO))), as it appears on some of the artwork) is a quick quarter-hour affair trading in melodic sludge with a sprinkling of samples for extra flavor.  There's also some blues in the mix, with inspiration taken from R.L. Burnside and Memphis Slim for a couple of tunes, making for an extra uncommon blend.  
While there's an emphasis on the instrumental side of the music, the vocals are no slouch when they get put to use, working a low gurgling growl (with a flange or phaser effect in a couple of spots) against the slow-beat drums and thick-buzzed strings.  Giving itself over pretty fully to the grooves, the music hits a thick, swampy atmosphere with style while keeping a mean edge present.  The narrative may be consumed past the point of recognizability by the style, but there's still a strong energy carrying things forward.  All around, a respectable first effort, worth checking in on for fans of honest sludge.
~ Gabriel

For Fans Of;    Hypnochron, Legalize Crime, Lightsucker, Olmeg, Slug Salt Lava




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Monday, February 09, 2015

Shaking Things Down...

Blind Samson - Pillars (2014)


Blind Samson is the work of one determined man, and on his first EP, he shows enough inventiveness, heaviness, and craft to instantly mark the band as one to follow.  From the opening squeal of the guitar, coupled with a hypnotic horror film sample and a quick crash into bass rumbles, the music shows a fondness for a good-sized range of doom metal influences, spinning together dronier atmospherics with bone-crunching riffs and propulsive drumming for a style which doesn't lose too much angry energy in its pursuit of doom.
There's a fairly thrashy edge to some of the more high-speed attacks, but there's such a fine degree of control held over the songs that even when it seems about to rattle itself off of the rails, Blind Samson is able to steer it right back into a growling wave of bass and refocus.  Melancholy and aggressive, groovy and mad, Pillars hits all of the bases in its warping through the various aspects of doom metal, and pulls them all off with commendable skill and style.  Blind Samson has already put out a follow-up stand-alone track, "Wickedness of Man", showing a readiness to carry on that should have everyone excited once they've had a chance to hear this first EP (and at ~10 minutes, "Wickedness of Man" is a handy possibility for putting out a split with some like-minded doomsters).  Doom metal fans of every stripe should give this a listen, so get on over to the BandCamp page and grab yourself a copy!
~ Gabriel

For Fans Of;    Weedeater, Electric Wizard, Tons, Attalla, Church Of Misery




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Tuesday, October 28, 2014

Like A Thousand Locusts...

Qualeaceans - Capture Of Ziz (2014)


Qualeaceans' new album has been four years in the making, and the end result is a thoroughly impressive, complex, and ambitious arrangement of metal overdrive with a prog approach to crafting the rhythms, counter-point, and hundreds of intricate micro-shifts which make up the hour-plus single track, “In The Cavern Of The Flightless”.   Let's go ahead and acknowledge from the start that going for a track which fills a CD to capacity is a risky move at best; it asks some real devotion from the listener, for one thing, and too many bad or boring passages can sink the whole ship.
On the latter issue, at least, the band has nothing to worry about with Capture Of Ziz.  Prog metal fans are generally pretty patient and willing to see where a band's going with something not immediately obvious in its intentions, and Qualeaceans return a strong pay-off on that investment.  They have an amazingly fluid quality to their music, evident in the rippling echo of the drummer's cymbals, the sinuous guitar-work, their ability to jump from one time signature cleanly into another (or a few simultaneously), and the song's structure, which moves about like a snake that can't stop shedding its skin.  The bass is frequently the only 'concrete' part of the melody, keeping a powerful riff going on the mix's low end (sometimes slowly mutating as it goes along) as everything else around it flies into controlled chaos.
Settling on a vocal style to accompany this sort of wild song-writing couldn't have been an easy task, and fittingly, the singer switches through a number of styles to fit the music, though they're usually centered somewhere around a traditional metal growl.  They're also not a constant feature, which seems like a smart choice to keep from tearing his throat apart trying to match some of the more blistering passages.  Also worth noting is the strong production work, which adjusts acoustics and polish to fit the changing flavors of the album to good effect.
Altogether, I have to say I'm thoroughly impressed by the band's work.  The time they put into making their epic track really comes through in the final product, as the whole thing has a sense of immensity to it. Trying to imagine the cavern of the title based on the music brings to mind images of something like a termite hive the size of the Grand Canyon, with inhabitants of a size to match.  It's dizzyingly big, almost overwhelmingly dense with activity, and just plain powerful.  The band has expressed interest in a physical release, so kick some money their way for a digital copy to make that happen... if you can handle it.
~ Gabriel

For Fans Of; Abstracter, Asilo, Gnaw Their Tongues, White Darkness, Behold... The Arctopus




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